History
Documented evidence of Irish public assemblies combining ceremony, politics, trade, entertainment and competitive activity.
TAGG distinguishes documented history from literature, tradition, mythology and its own modern creation.
Ancient Spirit. Modern Champions.
Documented evidence of Irish public assemblies combining ceremony, politics, trade, entertainment and competitive activity.
Sporting, martial and equestrian competition preserved in medieval Irish texts.
Later cultural and folk sporting practices with their own contexts and histories.
Fionn, Cúchulainn and the Fianna as legendary narratives—not historical athlete records.
A modern interpretation: new regulated competitions created from this broader inheritance.
The Assembly
An óenach was a public assembly in early medieval Ireland, convened by a king for his people. Early Irish law treats it as a formal occasion where legal business, proclamations and the peace of the gathering were binding[6].
The sources describe assemblies combining law, trade, music, recitation, feasting and competition—above all horse-racing. D. A. Binchy’s study of Tailtiu remains the standard critical account of how these gatherings were described and later idealised[4].
Óenach Carmain
The fullest description of Óenach Carmain survives in a Middle Irish poem of the Dindshenchas (“lore of places”), preserved in the twelfth-century Book of Leinster[2] and edited by Edward Gwynn[1].
The poem portrays a periodic Lughnasa assembly presided over by the kings of Leinster, with horse-racing, markets, music, storytelling and the proclamation of law. Eugene O’Curry brought the poem to wider attention in the nineteenth century[3], and Máire MacNeill placed it within the broader Lughnasa festival tradition[5].
The poem is literature as much as record: it presents an ideal of the assembly, not a programme of events. TAGG treats it that way.
Location
The site of Carman has been debated by scholars for well over a century, and different locations have been proposed. Later identifications point to the Carnalway area near Kilcullen, County Kildare—within sight of the Curragh plain.
TAGG does not claim the matter is settled. It acknowledges a strong local association and a landscape that fits what the sources describe.
Dún Ailinne
Dún Ailinne, on Knockaulin hill just outside Kilcullen, is one of Ireland’s major royal sites and is traditionally linked with the kings of Leinster. Excavations directed by Bernard Wailes (1968–1975) revealed large ceremonial timber structures used over centuries[7].
It belongs to the same family of royal landscapes as Tara, Emain Macha and Crúachain, studied comparatively in Edel Bhreathnach’s edited volume[8].
The Curragh
The Curragh is one of the oldest unenclosed grasslands in Europe. Cogitosus’s seventh-century Life of St Brigid—written at nearby Kildare—already refers to the plain[9].
Today it is the centre of Irish flat racing. TAGG proposes it as the home of the Games; no formal agreement exists yet.
Literature & Myth
Modern Revival
The Irish Free State staged Aonach Tailteann in 1924, 1928 and 1932 as a national and diaspora sporting festival. Mike Cronin and others have examined its role in early Irish state-building[10].
TAGG is not a continuation of the Tailteann Games and does not use that name.
The connection
Carnalway, Dún Ailinne and the Curragh sit within a few miles of each other in County Kildare—the same ground where founder Shane McGrath was born and has swum and canoed since his youth.
Is this the Tailteann Games?
NO.
TAGG is an entirely new international sporting competition. It draws inspiration from Ireland’s broader inheritance and has a particular geographical connection with ancient Leinster and the Curragh region.
Sources
TAGG is a modern competition. References are provided for historical context and do not imply endorsement by any author, institution or publisher.